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„Milovať človeka znamená: pomôcť mu milovať Boha.“
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Zdroj: Pre Teba, Bratislava: Lúč 2008, 50. týždeň.
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Søren Kierkegaard: Citáty v angličtine
On Regine Olsen (2 February 1839)
1830s, The Journals of Søren Kierkegaard, 1830s
Kontext: Oh, can I really believe the poet's tales, that when one first sees the object of one's love, one imagines one has seen her long ago, that all love like all knowledge is remembrance, that love too has its prophecies in the individual. … it seems to me that I should have to possess the beauty of all girls in order to draw out a beauty equal to yours; that I should have to circumnavigate the world in order to find the place I lack and which the deepest mystery of my whole being points towards, and at the next moment you are so near to me, filling my spirit so powerfully that I am transfigured for myself, and feel that it's good to be here.
“Fate is a relation to spirit as external.”
Zdroj: 1840s, The Concept of Anxiety (1844), p. 96-97
Kontext: Anxiety and nothing always correspond to each other. As soon as the actuality of freedom and of spirit is posited, anxiety is canceled. But what then does the nothing of anxiety signify more particularly in paganism. This is fate. Fate is a relation to spirit as external. It is the relation between spirit and something else that is not spirit and to which fate nevertheless stands in a spiritual relation. Fate may also signify exactly the opposite, because it is the unity of necessity and accidental. … A necessity that is not conscious of itself is eo ipso the accidental in relation to the next moment. Fate, then, is the nothing of anxiety.
“The meaning lies in the appropriation.”
Zdroj: 1840s, Three Discourses on Imagined Occasions (1845), p. 6 : Preface
Kontext: The meaning lies in the appropriation. Hence the book’s joyous giving of itself. Here there are no worldly “mine” and “thine” that separate and prohibit appropriating what is the neighbor’s. Admiration is in part really envy and thus a misunderstanding; and criticism, for all its justification, is in part really opposition and thus a misunderstanding; and recognition in a mirror is only a fleeting acquaintance and thus a misunderstanding-but to see correctly and not want to forget what the mirror is incapable of effecting, that is the appropriation, and the appropriation is the reader’s even greater, is his triumphant giving of himself.
Journals A 126 (March 1836)
1830s, The Journals of Søren Kierkegaard, 1830s
Kontext: One could construe the life of man as a great discourse in which the various people represent different parts of speech (the same might apply to states). How many people are just adjectives, interjections, conjunctions, adverbs? How few are substantives, active verbs, how many are copulas? Human relations are like the irregular verbs in a number of languages where nearly all verbs are irregular.
Repetition 202-203
1840s, Repetition (1843)
Kontext: Who is to blame but her and the third factor, from whence no one knows, which moved me with its stimulus and transformed me? After all, what I have done is praised in others.-Or is becoming a poet my compensation? I reject all compensation, I demand my rights-that is, my honor. I did not ask to become one, I will not buy it at this price. – Or if I am guilty, then I certainly should be able to repent of my guilt and make it good again. Tell me how. On top of that, must I perhaps repent that the world plays with me as a child plays with a beetle?-Or is it perhaps best to forget the whole thing? Forget-indeed, I shall have ceased to be if I forget it. Or what kind of life would it be if along with my beloved I have lost honor and pride and lost them in such a way that no one knows how it happened, for which reason I can never retrieve them again? Shall I allow myself to be shoved out in this manner? Why, then, was I shoved in?
Søren Kierkegaard, Two Ages: A Literary Review, 1846, Hong 1978/2009, pp. 67–68
1840s, Two Ages: A Literary Review (1846)
Kontext: It is not uncommon to hear a man who has become confused about what he should do in a particular situation complain about the unique nature of the situation, thinking that he could easily act if the situation were a great event with only one either/or. This is a mistake and a hallucination of the understanding. There is no such situation. The presence of the crucial either/or depends upon the individual’s own impassioned desire directed toward acting decisively, upon the individual’s own intrinsic competence, and therefore a competent man covets an either/or in every situation because he does not want anything more. But as soon as the individual no longer has essential enthusiasm in his passion but is spoiled by letting his understanding frustrate him every time he is going to act, he never in his life discovers the disjunction. And even if his penetrating, resourceful understanding is adequate for managing an entire household, he still has not had an understanding of his life in advance or in the moment of action, and it cannot be understood afterwords, either, because the action essentially did not take place, and the coherence of his life, became a garrulous continuation or a continued garrulity, a participial or infinitive phrase in which the subject must be understood or, more correctly, cannot be located at all because, as the grammarians say, the meaning does not make it clear for the simple reason that it lacks meaning. The whole thing becomes a flux, a blend of a little resolution and a little situation, a little prudence and a little courage, a little probability and a little faith, a little action and a little incident. Anyone who has made the fraudulent trade of getting abnormally good sense by losing the capacity to will and the passion to act is very inclined to stiffen his spinelessness with various and sundry predeliberations that feel their way ahead and various and sundry postmortem reinterpretations of what happened. Compared to this, an action is a brief something and apparently a poor something, yet it is in fact a definite something. The other is more splendid, but for all that it is a splendid shabbiness.
Journal entry, Gilleleie (1 August 1835) Journals 1A; this is considered to be one of the earliest statements of existentialist thought.
Variant translation: My focus should be on what I do in life, not knowing everything, excluding knowledge on what you do. The is key to find a purpose, whatever it truly is that God wills me to do; it's crucial to find a truth which is true to me, to find the idea which I am willing to live and die for.
Later variant: What I really lack is to be clear in my mind what I am to do, not what I am to know, except in so far as a certain knowledge must precede every action. The thing is to understand myself, to see what God really wishes me to do: the thing is to find a truth which is true for me, to find the idea for which I can live and die. … I certainly do not deny that I still recognize an imperative of knowledge and that through it one can work upon men, but it must be taken up into my life, and that is what I now recognize as the most important thing.
Later expression of such thoughts in a letter to Peter Wilhelm Lund (31 August 1835)
Variant translation: I must find a truth that is true for me.
1830s, The Journals of Søren Kierkegaard, 1830s
Kontext: What I really need is to get clear about what I must do, not what I must know, except insofar as knowledge must precede every act. What matters is to find a purpose, to see what it really is that God wills that I shall do; the crucial thing is to find a truth which is truth for me, to find the idea for which I am willing to live and die.
Søren Kierkegaard, Christian Discourses, 1848 Lowrie 1940, 1961 p. 132
1840s, Christian Discourses (1848)
Kontext: A man who but rarely, and then only cursorily, concerns himself with his relationship to God, hardly thinks or dreams that he has so closely to do with God, or that God is so close to him, that there exists a reciprocal relationship between him and God, the stronger a man is, the weaker God is, the weaker a man is, the stronger God is in him. Every one who assumes that a God exists naturally thinks of Him as the strongest, as He eternally is, being the Almighty who creates out of nothing, and for whom all the creation is as nothing; but such a man hardly thinks of the possibility of a reciprocal relationship. And yet for God, the infinitely strongest, there is an obstacle; He has posited it Himself, yea, He has lovingly, with incomprehensible love posited it Himself; for He posited it and posits it every time a man comes into existence, when He in His love makes to be something directly in apposition https://en.wiktionary.org/wiki/apposite to Himself. Oh, marvelous omnipotence of love! A man cannot bear that his ‘creations’ should be directly in apposition to Himself, and so he speaks of them in a tone of disparagement as his ‘creations’. But God who creates out of nothing, who almightily takes from nothing and says, ‘Be’, lovingly adjoins, ‘Be something even in apposition to me.’ Marvellous love, even His omnipotence is under the sway of love!
In a logical system, it is convenient to say that possibility passes over into actuality. However, in actuality it is not so convenient, and an intermediate term is required. The intermediate term is anxiety, but it no more explains the qualitative leap than it can justify it ethically. Anxiety is neither a category of necessity nor a category of freedom; it is entangled freedom, where freedom is not free in itself but entangled, not by necessity, but in itself.
Zdroj: 1840s, The Concept of Anxiety (1844), p. 49
“Fate, then, is the nothing of anxiety.”
Zdroj: 1840s, The Concept of Anxiety (1844), p. 96-97
Kontext: Anxiety and nothing always correspond to each other. As soon as the actuality of freedom and of spirit is posited, anxiety is canceled. But what then does the nothing of anxiety signify more particularly in paganism. This is fate. Fate is a relation to spirit as external. It is the relation between spirit and something else that is not spirit and to which fate nevertheless stands in a spiritual relation. Fate may also signify exactly the opposite, because it is the unity of necessity and accidental. … A necessity that is not conscious of itself is eo ipso the accidental in relation to the next moment. Fate, then, is the nothing of anxiety.
Pap. V B 53:20 1844 The Concept of Anxiety, Nichol p. 188
1840s, The Journals of Søren Kierkegaard, 1840s
Kontext: So it happens at times that a person believes that he has a world-view, but that there is yet one particular phenomenon that is of such a nature that it baffles the understanding, and that he explains differently and attempts to ignore in order not to harbor the thought that this phenomenon might overthrow the whole view, or that his reflection does not possess enough courage and resolution to penetrate the phenomenon with his world-view.
Journals VII 1A 363
1840s, The Journals of Søren Kierkegaard, 1840s
Kontext: Deep within every human being there still lives the anxiety over the possibility of being alone in the world, forgotten by God, overlooked among the millions and millions in this enormous household. One keeps this anxiety at a distance by looking at the many round about who are related to him as kin and friends, but the anxiety is still there, nevertheless, and one hardly dares think of how he would feel if all this were taken away.
Problemata: Preliminary Expectoration
1840s, Fear and Trembling (1843)
Kontext: An old proverb fetched from the outward and visible world says: "Only the man that works gets the bread." Strangely enough this proverb does not aptly apply in that world to which it expressly belongs. For the outward world is subjected to the law of imperfection, and again and again the experience is repeated that he too who does not work gets the bread, and that he who sleeps gets it more abundantly than the man who works. In the outward world everything is made payable to the bearer, this world is in bondage to the law of indifference, and to him who has the ring, the spirit of the ring is obedient, whether he be Noureddin or Aladdin, and he who has the world's treasure, has it, however he got it.
“I have attacked no one as not being a Christian, I have condemned no one.”
The Point of View of My Work as an Author (1848, 1851, 1859)<!-- Lowrie 1939, 1962 --> p. 153-155
1840s
Kontext: I have never fought in such a way as to say: I am the true Christian, others are not Christians. No, my contention has been this: I know what Christianity is, my imperfection as a Christian I myself fully recognize — but I know what Christianity is. And to get this properly recognized must be, I should think, to every man’s interest, whether he be a Christian or not, whether his intention is to accept Christianity or to reject it. But I have attacked no one as not being a Christian, I have condemned no one. Indeed, the pseudonym Johannes Climacus, who sets the problem ‘about becoming a Christian’, does exactly the opposite: he denies that he is a Christian and concedes this claim to the others — the remotest possible remove, surely, from condemning others! And I myself have from the first clearly asserted, again and again repeated, that I am ‘without authority’. My tactics were, by God’s aid, to employ every means to make it clear what the requirement of Christianity truly is — even though not one single person should be induced to enter into it, and though I myself might have to give up being a Christian (in which case I should have felt obliged to make open admission of the fact). On the other hand, my tactics were these: instead of giving the impression, in however small a degree, that there are such difficulties about Christianity that an apology for it is needed if men are to be persuaded to enter into it, rather to represent it as a thing so infinitely lofty, as in truth it is, that the apology belongs in another place, is required, that is to say, of us for the fact that we venture to call ourselves Christians, or it transforms itself into a contrite confession that we have God to thank if we merely assume to regard ourselves as a Christian. But neither must this ever be forgotten: Christianity is just as lenient as it is austere, just as lenient, that is to say, infinitely lenient. When the infinite requirement is heard and upheld, heard and upheld in all its infinitude, then grace is offered, or rather grace offers itself, and to it the individual, each for himself, as I also do, can flee for refuge.
1840s, The Point of View for My Work as an Author (1848)
Kontext: To be a teacher does not mean simply to affirm that such a thing is so, or to deliver a lecture, etc. No, to be a teacher in the right sense is to be a learner. Instruction begins when you, the teacher, learn from the learner, put yourself in his place so that you may understand what he understands and the way he understands it.
Journals A 126 (March 1836)
1830s, The Journals of Søren Kierkegaard, 1830s
Kontext: One could construe the life of man as a great discourse in which the various people represent different parts of speech (the same might apply to states). How many people are just adjectives, interjections, conjunctions, adverbs? How few are substantives, active verbs, how many are copulas? Human relations are like the irregular verbs in a number of languages where nearly all verbs are irregular.
The Point of View of My Work as an Author (1848, 1851, 1859)<!-- Lowrie 1939, 1962 --> p. 153-155
1840s
Kontext: I have never fought in such a way as to say: I am the true Christian, others are not Christians. No, my contention has been this: I know what Christianity is, my imperfection as a Christian I myself fully recognize — but I know what Christianity is. And to get this properly recognized must be, I should think, to every man’s interest, whether he be a Christian or not, whether his intention is to accept Christianity or to reject it. But I have attacked no one as not being a Christian, I have condemned no one. Indeed, the pseudonym Johannes Climacus, who sets the problem ‘about becoming a Christian’, does exactly the opposite: he denies that he is a Christian and concedes this claim to the others — the remotest possible remove, surely, from condemning others! And I myself have from the first clearly asserted, again and again repeated, that I am ‘without authority’. My tactics were, by God’s aid, to employ every means to make it clear what the requirement of Christianity truly is — even though not one single person should be induced to enter into it, and though I myself might have to give up being a Christian (in which case I should have felt obliged to make open admission of the fact). On the other hand, my tactics were these: instead of giving the impression, in however small a degree, that there are such difficulties about Christianity that an apology for it is needed if men are to be persuaded to enter into it, rather to represent it as a thing so infinitely lofty, as in truth it is, that the apology belongs in another place, is required, that is to say, of us for the fact that we venture to call ourselves Christians, or it transforms itself into a contrite confession that we have God to thank if we merely assume to regard ourselves as a Christian. But neither must this ever be forgotten: Christianity is just as lenient as it is austere, just as lenient, that is to say, infinitely lenient. When the infinite requirement is heard and upheld, heard and upheld in all its infinitude, then grace is offered, or rather grace offers itself, and to it the individual, each for himself, as I also do, can flee for refuge.
Zdroj: 1850s, Practice in Christianity (September 1850), p. 61-62
Kontext: In all the flat, lethargic, dull moments, when the sensate dominates a person, to him Christianity is a madness because it is incommensurate with any finite wherefore. But then what good is it? Answer: Be quiet, it is the absolute. And that is how it must be presented, consequently as, that is, it must appear as madness to the sensate person. And therefore it is true, so true, and also in another sense so true when the sensible person in the situation of contemporaneity (see II A) censoriously says of Christ, “He is literally nothing”-quite so, for he is the absolute. Christianity is an absolute. Christianity came into the world as the absolute, not, humanly speaking, for comfort; on the contrary, it continually speaks about how the Christian must suffer or about how a person in order to become and remain a Christian must endure sufferings that he consequently can avoid simply by refraining from becoming a Christian.
“Father in heaven, when the thought of thee awakens in our soul”
Journals and Papers IIA320
1840s, The Journals of Søren Kierkegaard, 1840s
Kontext: Father in heaven, when the thought of thee awakens in our soul, let it not waken as an agitated bird which flutters confusedly about, but as a child waking from sleep with a celestial smile.
Zdroj: 1850s, Practice in Christianity (September 1850), p. 220
Kontext: In hidden inwardness all are Christians; who would dare deny this? Anyone who would take it upon himself to deny it surely runs the risk of wanting to play the knower of hearts. So no one can deny it. That everyone is Christian in hidden inwardness is in this way a secretiveness that is almost locked up, so to speak, behind a jammed lock: it is impossible to find out whether all these thousands upon thousands actually are Christians, for they all are that, so it is said, in hidden inwardness. And not only for the Church but for everybody it holds true that one does not pass judgment on hidden and secret things, because one is unable to judge. Should it not, however, be possible to break this secretiveness and have a little disclosure without becoming guilty of being a knower of hearts? Yes, indeed! How so? In this way, that someone quite simply on his own responsibility takes it upon himself to confess Christ in the midst of Christendom. He does not judge a single person, far from it, but many will disclose themselves by the way they judge him. He does not claim to be a better Christian than others, no, far from it; on the contrary, to the others he makes the admission that they undoubtedly are better Christians than he, they who keep it hidden out of religious fear of winning honor and esteem, whereas he, poor simpleton that he is, on his own behalf is so afraid that it might prove to be shadowboxing with such an extreme Christianity, and therefore he holds to the old Christianity of confessing Christ. Therefore he does not inform against any of the others, that they are not Christians; far from it, he informs only against himself, that he is such a poor simpleton. Nevertheless the thoughts of many hearts would be disclosed by how they judge this poor simpleton, this imperfect Christian.
“Anxiety and nothing always correspond to each other.”
Zdroj: 1840s, The Concept of Anxiety (1844), p. 96-97
Kontext: Anxiety and nothing always correspond to each other. As soon as the actuality of freedom and of spirit is posited, anxiety is canceled. But what then does the nothing of anxiety signify more particularly in paganism. This is fate. Fate is a relation to spirit as external. It is the relation between spirit and something else that is not spirit and to which fate nevertheless stands in a spiritual relation. Fate may also signify exactly the opposite, because it is the unity of necessity and accidental. … A necessity that is not conscious of itself is eo ipso the accidental in relation to the next moment. Fate, then, is the nothing of anxiety.
The Point of View of My Work as an Author (1848, 1851, 1859)<!-- Lowrie 1939, 1962 --> p. 153-155
1840s
Kontext: I have never fought in such a way as to say: I am the true Christian, others are not Christians. No, my contention has been this: I know what Christianity is, my imperfection as a Christian I myself fully recognize — but I know what Christianity is. And to get this properly recognized must be, I should think, to every man’s interest, whether he be a Christian or not, whether his intention is to accept Christianity or to reject it. But I have attacked no one as not being a Christian, I have condemned no one. Indeed, the pseudonym Johannes Climacus, who sets the problem ‘about becoming a Christian’, does exactly the opposite: he denies that he is a Christian and concedes this claim to the others — the remotest possible remove, surely, from condemning others! And I myself have from the first clearly asserted, again and again repeated, that I am ‘without authority’. My tactics were, by God’s aid, to employ every means to make it clear what the requirement of Christianity truly is — even though not one single person should be induced to enter into it, and though I myself might have to give up being a Christian (in which case I should have felt obliged to make open admission of the fact). On the other hand, my tactics were these: instead of giving the impression, in however small a degree, that there are such difficulties about Christianity that an apology for it is needed if men are to be persuaded to enter into it, rather to represent it as a thing so infinitely lofty, as in truth it is, that the apology belongs in another place, is required, that is to say, of us for the fact that we venture to call ourselves Christians, or it transforms itself into a contrite confession that we have God to thank if we merely assume to regard ourselves as a Christian. But neither must this ever be forgotten: Christianity is just as lenient as it is austere, just as lenient, that is to say, infinitely lenient. When the infinite requirement is heard and upheld, heard and upheld in all its infinitude, then grace is offered, or rather grace offers itself, and to it the individual, each for himself, as I also do, can flee for refuge.
Søren Kierkegaard, Two Ages: A Literary Review, 1846, Hong 1978/2009, pp. 67–68
1840s, Two Ages: A Literary Review (1846)
Kontext: It is not uncommon to hear a man who has become confused about what he should do in a particular situation complain about the unique nature of the situation, thinking that he could easily act if the situation were a great event with only one either/or. This is a mistake and a hallucination of the understanding. There is no such situation. The presence of the crucial either/or depends upon the individual’s own impassioned desire directed toward acting decisively, upon the individual’s own intrinsic competence, and therefore a competent man covets an either/or in every situation because he does not want anything more. But as soon as the individual no longer has essential enthusiasm in his passion but is spoiled by letting his understanding frustrate him every time he is going to act, he never in his life discovers the disjunction. And even if his penetrating, resourceful understanding is adequate for managing an entire household, he still has not had an understanding of his life in advance or in the moment of action, and it cannot be understood afterwords, either, because the action essentially did not take place, and the coherence of his life, became a garrulous continuation or a continued garrulity, a participial or infinitive phrase in which the subject must be understood or, more correctly, cannot be located at all because, as the grammarians say, the meaning does not make it clear for the simple reason that it lacks meaning. The whole thing becomes a flux, a blend of a little resolution and a little situation, a little prudence and a little courage, a little probability and a little faith, a little action and a little incident. Anyone who has made the fraudulent trade of getting abnormally good sense by losing the capacity to will and the passion to act is very inclined to stiffen his spinelessness with various and sundry predeliberations that feel their way ahead and various and sundry postmortem reinterpretations of what happened. Compared to this, an action is a brief something and apparently a poor something, yet it is in fact a definite something. The other is more splendid, but for all that it is a splendid shabbiness.
Kierkegaard Journals and Papers 1A, 86 September 29, 1835
1830s, The Journals of Søren Kierkegaard, 1830s
Kontext: It occurs to me that artists go forward by going backward, something which I have nothing against intrinsically when it is a reproduced retreat — as is the case with the better artists. But it does not seem right that they stop with the historical themes already given and, so to speak, think that only these are suitable for poetic treatment, because these particular themes, which intrinsically are no more poetic than others, are now again animated and inspirited by a great poetic nature. In this case the artists advance by marching on the spot. — Why are modern heroes and the like not just as poetic? Is it because there is so much emphasis on clothing the content in order that the formal aspect can be all the more finished?
Stages on Life's Way, 1845 (Hong) p. 124
1840s, Stages on Life's Way (1845)
Kontext: I was brought up in the Christian religion, and although I can scarcely sanction all the improper attempts to gain the emancipation of woman, all paganlike reminiscences also seem foolish to me. My brief and simple opinion is that woman is certainly as good as man-period. Any more discursive elaboration of the difference between the sexes or deliberation on which sex is superior is an idle intellectual occupation for loafers and bachelors.
“When God chooses to let himself be born in lowliness”
Zdroj: 1850s, Practice in Christianity (September 1850), p. 34
Kontext: When God chooses to let himself be born in lowliness, when he who holds all possibilities in his hand takes upon himself the form of a lowly servant, when he goes about defenseless and lets people do with him what they will, he surely must know well enough what he is doing and why he wills it; but for all that it is he who has people in his power and not they who have power over him-so history ought not play Mr. Malapert http://www.archive.org/stream/villagedialogue01hillgoog#page/n121/mode/1up by this wanting to make manifest who he was.
“Then I am able to pursue this one main idea and see how all the details serve to illuminate it.”
Journals of Søren Kierkegaard 1A 8, 1834
1830s, The Journals of Søren Kierkegaard, 1830s
Kontext: The reason I cannot really say that I positively enjoy nature is that I do not quite realize what it is that I enjoy. A work of art, on the other hand, I can grasp. I can — if I may put it this way — find that Archimedian point, and as soon as I have found it, everything is readily clear for me. Then I am able to pursue this one main idea and see how all the details serve to illuminate it.
Journal and Papers 5622 (Papers IV A 65) n.d. 1843
1840s, The Journals of Søren Kierkegaard, 1840s
Kontext: Once in his early youth a man allowed himself to be so far carried away in an overwrought irresponsible state as to visit a prostitute. It is all forgotten. Now he wants to get married. Then anxiety stirs. He is tortured day and night with the thought that he might possibly be a father, that somewhere in the world there could be a created being who owed his life to him. He cannot share his secret with anyone; he does not even have any reliable knowledge of the fact. –For this reason the incident must have involved a prostitute and taken place in the wantonness of youth; had it been a little infatuated or an actual seduction, it would be hard to imagine that he could know nothing about it, but now this this very ignorance is the basis of his agitated torment. On the other hand, precisely because of the rashness of the whole affair, his misgivings do not really start until he actually falls in love.
Journals 1A 68 (29 July 1835)
1830s, The Journals of Søren Kierkegaard, 1830s
Kontext: In order to learn true humility (I use this expression to describe the state of mind under discussion), it is good for a person to withdraw from the turmoil of the world (we see that Christ withdrew when the people wanted to proclaim him king as well as when he had to walk the thorny path), for in life either the depressing or the elevating impression is too dominant for a true balance to come about. Here, of course, individuality is very decisive, for just as almost every philosopher believes he has found the truth, just as almost every poet believes he has reached Mount Parnassus, just so we find on the other hand many who link their lives entirely to another, like a parasite to a plant, live in him, die in him (for example, the Frenchman in relation to Napoleon). But in the heart of nature, where a person, free from life's often nauseating air, breathes more freely, here the soul opens willingly to every noble impression. Here one comes out as nature's master, but he also feels that something higher is manifested in nature, something he must bow down before; he feels a need to surrender to this power that rules it all. (I, of course, would rather not speak of those who see nothing higher in nature than substance — people who really regard heaven as a cheese-dish cover and men as maggots who live inside it.) Here he feels himself great and small at one and the same time, and feels it without going so far as the Fichtean remark (in his Die Bestimmung des Menschen) about a grain of sand constituting the world, a statement not far removed from madness.
“I wonder if she wouldn't choose his miserable common sense rather than her wealth?”
1846
1840s, The Journals of Søren Kierkegaard, 1840s
Kontext: If I were to imagine a girl deeply in love and some man who wanted to use all his reasoning powers and knowledge to ridicule her passion, well, there's surely no question of the enamoured girl having to choose between keeping her wealth and being ridiculed. No, but if some extremely cool and calculating man calmly told the young girl, "I will explain to you what love is," and the girl admitted that everything he told her was quite correct, I wonder if she wouldn't choose his miserable common sense rather than her wealth?