Samuel Barclay Beckett citáty page 3

„Nič nie je skutočnejšie ako nič.“

„Skúsil si. Zlyhal si. Nevadí. Skús znova. Zlyhaj znova. Zlyhaj lepšie.“

„Hovoriť znamená vymýšľať. Omyl, veľmi správny omyl.“

Varianta: Skúšali ste. Zlyhali ste. Nevadí. Pokúste sa znova. Znova zlyhajte. Zlyhajte lepšie.

„Stále sa len pýtame, či existuje život po smrti. Mali by sme sa pýtať, či existuje život po narodení.“

„Naša doba je tak vzrušujúca, že ľudí môžeme šokovať vlastne iba nudou.“

„Moralisti sú ľudia, ktorí sa škrabú tam, kde to iných svrbí.“

Samuel Barclay Beckett Citáty o ľuďoch

„Nech sa ľudia hocako jemne umývajú a hocako jemne navoňajú, predsa smrdia.“

„Môj vzhľad ľudí vždy rozosmial s tým výdatným žartovným smiechom, ktorý je tak dobrý pre zdravie.“

„Ten, čo utekal pred smrťou, pokoj duše svoje našiel až v nej.“

Samuel Barclay Beckett citáty a výroky

„Skúšaj znovu. Padaj znovu. Padaj lepšie.“

„Jediným hriechom je narodenie sa.“

„Keď ma nemiluješ, nemám byť milovaný. Keď ťa nemilujem, nemám milovať.“

„Niet nič smiešnejšieho ako nešťastie. Je to tá najkomickejšia vec na svete.“

„Aký je človek: nadáva na svoje topánky, a pritom je vinná jeho noha.“

„Keď ženy už nevedia, čo majú robiť, zoblečú sa, a to je pravdepodobne to najlepšie, čo môžu urobiť.“

„Treba sa snažiť až do krajnosti ísť dovnútra. Nepriateľom človeka je povrchnosť.“

„Živé duše uvidíte, aké sú si podobné.“

„Áno, boli chvíle, keď som zabudol nielen to, kým som, ale že som bol, zabudol som byť.“

„Tomu, kto nemá nič, je zakázané nemilovať špinu.“

„Všetko, čo hovorím, sa ruší, nič nehovorím.“

„Cítil som sa slabý, možno som aj bol.“

„V živote je niečo dôležitejšie ako dochvíľnosť, a to je slušnosť.“

„Obnovenie ticha je úlohou objektov.“

„Prečo tak plačem? Z času na čas. Nie je tu nič smutné.“

„Nechcem stráviť zvyšok svojho života písaním kníh, ktoré nikto nečíta.“

„Strata vedomia pre mňa nebola nikdy veľká strata.“

„Zdá sa, že v prírode je niečo zo všetkého a šialenci sú bežní.“

„Som taký dobrý človek, ako to, že si to nikto nevšimol?“

„Osobne samozrejme ľutujem všetko.“

„Môže byť, že nie sme slobodní? Možno sa oplatí pozrieť sa na to.“

„Vážené nepochopenie, na konci budem sám sebou vďaka tebe.“

„Bolo to dávno, čo som túžil po čomkoľvek a malo to na mňa hrozný účinok.“

„Niekedy sa stáva a niekedy sa znova stane, že zabudnem, kto som a rozopriem sa pred očami, ako cudzinec.“

„Nikdy lynčujú deti, bábätká, bez ohľadu na to, čo robia, sú vopred zbavení viny.“

„Najnovšie správy nie sú posledné.“

„Snažil som sa chodiť v kruhu a dúfal som, že takto pôjdem rovno.“

„Slnko žiarilo na všetko staré, pretože nemalo inú alternatívu.“

„Slzy a smiech sú pre mňa také gaelské.“

„Vie niekto niekedy, prečo sa smejeme?“

„Nečakajte, až kým vás začnú loviť, na to aby ste sa skryli - to bolo vždy moje motto.“

„Keď padnem, budem plakať pre šťastie.“

„Jednoducho neviem, možno nikdy nebudem vedieť.“

„Rozkladať sa znamená žiť tiež - viem, viem, nemučte ma, ale občas niekto zabudne.“

„Nijako menej. Nijako horšie. Nijako bezcenne. Nijako ďalej.“

„Presne povedané, nebol som tam. Presnejšie povedané, verím, že som nikdy nikde nebol.“

„Čo očakávate, človek je čím je, aspoň z časti.“

„Postupne premieňal nepokoj na slová. Urobil si zo starých slov vankúš pod svoju hlavu.“

„Boh je svedok, ktorého nemožno prisahať.“

“Tears and laughter, they are so much Gaelic to me.”

Samuel Barclay Beckett: Citáty v angličtine

“To go on means going from here, means finding me, losing me, vanishing and beginning again, a stranger first, then little by little the same as always, in another place, where I shall say I have always been, of which I shall know nothing, being incapable of seeing, moving, thinking, speaking, but of which little by little, in spite of these handicaps, I shall begin to know something, just enough for it to turn out to be the same place as always, the same which seems made for me and does not want me, which I seem to want and do not want, take your choice, which spews me out or swallows me up, I’ll never know, which is perhaps merely the inside of my distant skull where once I wandered, now am fixed, lost for tininess, or straining against the walls, with my head, my hands, my feet, my back, and ever murmuring my old stories, my old story, as if it were the first time.”

Samuel Beckett kniha Molloy

Molloy (1951)

“Don't wait to be hunted to hide, that's always been my motto.”

Samuel Beckett kniha The Unnamable

The Unnamable (1954)

“I, of whom I know nothing, I know my eyes are open, because of the tears that pour from them unceasingly.”

Samuel Beckett kniha Molloy

Molloy (1951)

“I tried to groan, Help! Help! But the tone that came out was that of polite conversation.”

Samuel Beckett kniha The Unnamable

The Unnamable (1954)

“What can it matter to me, that I succeed or fail? The undertaking is none of mine, if they want me to succeed I’ll fail, and vice versa, so as not to be rid of my tormentors.”

The End (1946)

“Deplorable mania, when something happens, to inquire what.”

Samuel Beckett kniha The Unnamable

The Unnamable (1954)

“My keepers, why keepers, I'm in no danger of stirring an inch, ah I see, it's to make me think I'm a prisoner, frantic with corporeality, rearing to get out and away.”

Samuel Beckett kniha The Unnamable

The Unnamable (1954)

“We are no longer the same, you wiser but not sadder, and I sadder but not wiser, for wiser I could hardly become without grave personal inconvenience, whereas sorrow is a thing you can keep adding to all your life long, is it not, like a stamp or an egg collection, without feeling very much the worse for it, is it not.”

Samuel Beckett kniha Texts for Nothing

Texts for Nothing (1955)

“I get up, go out, and everything is changed. The blood drains from my head, the noise of things bursting, merging, avoiding one another, assails me on all sides, my eyes search in vain for two things alike, each pinpoint of skin screams a different message, I drown in the spray of phenomena.”

Samuel Beckett kniha Watt

Part I, p. 50
Watt (1943)

“Hamm: What's he doing?(CLOV raises lid of NAGG's bin, stoops, looks into it. Pause.)Clov: He's crying.(He closes lid, straightens up)Hamm: Then he's living.”

Samuel Beckett kniha Molloy

Molloy (1951)

“Perhaps it's done already, perhaps they have said me already, perhaps they have carried me to the threshold of my story, before the door that opens on my story, that would surprise me, if it opens, it will be I, it will be the silence, where I am, I don't know, I'll never know, in the silence you don't know, you must go on, I can't go on, I'll go on.”

Endgame (1957)

“At no moment do I know what I’m talking about, nor of whom, nor of where, nor how, nor why, but I could employ fifty wretches for this sinister operation and still be short of the fifty-first, to close the circuit, that I know, without knowing what it means.”

Samuel Beckett kniha The Unnamable

The Unnamable (1954)

“But he had turned, little by little, a disturbance into words, he had made a pillow of old words, for his head.”

Samuel Beckett kniha The Unnamable

The Unnamable (1954)

“They never lynch children, babies, no matter what they do they are whitewashed in advance.”

Samuel Beckett kniha Watt

Part II, p. 117
Watt (1943)

“Tears, that could be the tone, if they weren't so easy, the true tone and tenor at last.”

The Expelled (1946)

“What do you expect, one is what one is, partly at least.”

Samuel Beckett kniha Texts for Nothing

Texts for Nothing (1955)

“A mask of dirty old hairy leather, with two holes and a slit, it was too far gone for the old trick of please your honour and God reward you and pity upon me. It was disastrous.”

Samuel Beckett kniha Molloy

Molloy (1951)

“Yes, yes, I am mistaken, I am mistaken.”

The End (1946)

“Yes, in my life, since we must call it so, there were three things, the inability to speak, the inability to be silent, and solitude, that’s what I’ve had to make the best of.”

Samuel Beckett kniha Three Dialogues

Three Dialogues (1949)

“Yes, there were times when I forgot not only who I was, but that I was, forgot to be.”

Samuel Beckett kniha The Unnamable

The Unnamable (1954)

“Memories are killing. So you must not think of certain things, of those that are dear to you, or rather you must think of them, for if you don’t there is the danger of finding them, in your mind, little by little.”

Samuel Beckett kniha Molloy

Molloy (1951)

“The time-state of attainment eliminates so accurately the time-state of aspiration, that the actual seems the inevitable, and, all conscious intellectual effort to reconstitute the invisible and unthinkable as a reality being fruitless, we are incapable of appreciating our joy by comparing it with our sorrow.”

The Expelled (1946)

“Krapp: Perhaps my best years are gone. When there was a chance of happiness. But I wouldn't want them back. Not with the fire in me now.”

Samuel Beckett kniha Proust

Proust (1957), p. 4

“Let me go to hell, that's all I ask, and go on cursing them there, and them look down and hear me, that might take some of the shine off their bliss.”

Samuel Beckett Krapp's Last Tape

Krapp's Last Tape (1958)

“Hamm: There's something dripping in my head. A heart, a heart in my head.”

Samuel Beckett From an Abandoned Work

From an Abandoned Work (1957)

“To restore silence is the role of objects.”

Endgame (1957)

“It was long since I had longed for anything and the effect on me was horrible.”

Samuel Beckett kniha Molloy

Molloy (1951)

“For the only way one can speak of nothing is to speak of it as though it were something, just as the only way one can speak of God is to speak of him as though he were a man, which to be sure he was, in a sense, for a time, and as the only way one can speak of man, even our anthropologists have realized that, is to speak of him as though he were a termite.”

The End (1946)

“Hamm: Look at the ocean!(Clov gets down, takes a few steps towards window left, goes back for ladder, carries it over and sets it down under window left, gets up on it, turns the telescope on the without, looks at length. He starts, lowers the telescope, examines it, turns it again on the without.)Clov: Never seen anything like that!Hamm (anxious): What? A sail? A fin? Smoke?Clov (looking): The light is sunk. Hamm (relieved): Pah! We all knew that. Clov (looking): There was a bit left. Hamm: The base. Clov (looking): Yes. Hamm: And now? Clov (looking): All gone. Hamm: No gulls? Clov (looking): Gulls! Hamm: And the horizon? Nothing on the horizon? Clov (lowering the telescope, turning towards Hamm, exasperated): What in God's name could there be on the horizon? (Pause.) Hamm: The waves, how are the waves? Clov: The waves? (He turns the telescope on the waves.) Lead. Hamm: And the sun? Clov (looking): Zero. Hamm: But it should be sinking. Look again. Clov (looking): Damn the sun. Hamm: Is it night already then? Clov (looking): No. Hamm: Then what is it? Clov (looking): Gray. (Lowering the telescope, turning towards Hamm, louder.) Gray! (Pause. Still louder.) GRRAY! (Pause. He gets down, approaches Hamm from behind, whispers in his ear.) Hamm (starting): Gray! Did I hear you say gray? Clov: Light black. From pole to pole.”

Samuel Beckett kniha Watt

Part II, p. 77
Watt (1943)