Varianta: Súčasná doba prekonala všetky vzdialenosti, ale nevytvorila žiadnu blízkosť.
Martin Heidegger citáty
Dátum narodenia: 26. september 1889
Dátum úmrtia: 26. máj 1976
Citáty Martin Heidegger
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— Martin Heidegger, kniha Contributions to Philosophy
Contributions to Philosophy (From Enowning) [Beitrage Zur Philosophie (Vom Ereignis)], notes of 1936–1938, as translated by Parvis Emad and Kenneth Maly (1989)
Kontext: Making itself intelligible is suicide for philosophy. Those who idolize "facts" never notice that their idols only shine in a borrowed light.
Kontext: Those in the crossing must in the end know what is mistaken by all urging for intelligibility: that every thinking of being, all philosophy, can never be confirmed by "facts," ie, by beings. Making itself intelligible is suicide for philosophy. Those who idolize "facts" never notice that their idols only shine in a borrowed light. They are also meant not to notice this; for thereupon they would have to be at a loss and therefore useless. But idolizers and idols are used wherever gods are in flight and so announce their nearness.
Das Bedenklichste in unserer bedenklichen Zeit ist, dass wir noch nicht denken.
What is Called Thinking? [Was heisst Denken?] (1951–1952), as translated by Fred D. Wieck and J. Glenn Gray (1968)
— Martin Heidegger, kniha Introduction to Metaphysics
Warum ist überhaupt Seiendes und nicht vielmehr Nichts? Das ist die Frage.
What is Metaphysics? (1929), p. 110
Cf. Gottfried Leibniz, De rerum originatione radicali (1697)ː "cur aliquid potius extiterit quam nihil."
Zdroj: Introduction to Metaphysics
„The Geschick of being: a child that plays… Why does it play, the great child of the world-play Heraclitus brought into view in the aiôn? It plays, because it plays. The "because" withers away in the play. The play is without "why."“
The Principle of Reason (1955–1956) as translated by Reginald Lilly (1991) <!-- Bloomington: Indiana UP -->
Kontext: The Geschick of being: a child that plays... Why does it play, the great child of the world-play Heraclitus brought into view in the aiôn? It plays, because it plays. The "because" withers away in the play. The play is without "why." It plays since it plays. It simply remains a play: the most elevated and the most profound. But this "simply" is everything, the one, the only... The question remains whether and how we, hearing the movements of this play, play along and accommodate ourselves to the play.
„Philosophy will not be able to effect an immediate transformation of the present condition of the world. This is not only true of philosophy, but of all merely human thought and endeavor.“
Interview (23 September 1966), published posthumously in Der Spiegel (31 May 1976), as translated by Maria P. Alter and John D. Caputo in The Heidegger Controversy : A Critical Reader (1991), edited by Richard Wolin.
Kontext: Philosophy will not be able to effect an immediate transformation of the present condition of the world. This is not only true of philosophy, but of all merely human thought and endeavor. Only a god can save us. The sole possibility that is left for us is to prepare a sort of readiness, through thinking and poeticizing, for the appearance of the god or for the absence of the god in the time of foundering [Untergang] for in the face of the god who is absent, we founder. Only a God Can Save Us.
— Martin Heidegger, kniha The Question Concerning Technology
The Question Concerning Technology (1954)
Kontext: Everywhere we remain unfree and chained to technology, whether we passionately affirm or deny it. But we are delivered over to it in the worst possible way when we regard it as something neutral; for this conception of it, to which today we particularly like to do homage, makes us utterly blind to the essence of technology.
„Everyone is the other, and no one is himself. The they, which supplies the answer to the who of everyday Da-sein, is the nobody to whom every Da-sein has always already surrendered itself, in its being-among-one-another.“
— Martin Heidegger, kniha Being and Time
Zdroj: Being and Time (1927)