Joe Satriani citáty

Joe Satriani je americký gitarista a gitarový inštruktor.

Na gitaru začal hrať ako štrnásťročný, inšpirovaný hudbou Jimiho Hendrixa.

V roku 1974 sa začal učiť od džezového gitaristu Billyho Bauera a Lennieho Tristana, ktorý bol náročný na techniku hrania, čo značne ovplyvnilo Satrianiho štýl hry. Satriani už v tejto dobe začal vyučovať hru na gitaru. Jeho žiakmi boli Steve Vai, David Bryson , Kirk Hammett , Larry LaLonde , Charlie Hunter a mnoho ďalších.

V 80. rokoch koncertoval Joe Satriani s Mickom Jaggerom a zároveň nahrával s rôznymi skupinami. V 90. rokoch zastúpil niekoľko mesiacov na koncertoch gitaristu Deep Purple – Ritchieho Blackmorea.

Prvý sólový album Not Of This Earth vydal v roku 1986. Za albumy Surfing With The Alien, Dreaming No. 11, Flying In A Blue Dream, The Extremist bol nominovaný na Grammy.

V roku 1996, Satriani založil projekt G3. Okrem neho v ňom účinkovali Steve Vai, Adrian Legg, Eric Johnson, Yngwie Malmsteen, John Petrucci, Kenny Wayne Shepherd a Robert Fripp. Skupina sa stala populárnejšou vďaka veľmi vydareným koncertným turné v Spojených štátoch a Európe.

Joe Satriani hrá na gitarách značky Ibanez zo série JS a používa zosilňovače Marshall JVM JS. Obe značky produkujú sériu výrobkov, tzv. signature modely Joe Satrianiho. Wikipedia  

✵ 15. júl 1956
Joe Satriani fotka
Joe Satriani: 31 citátov0 Páči sa

Joe Satriani: Citáty v angličtine

“I've always done "the wrong thing" and had a pretty wonderful time doing it.”

Joe Satriani

In response to a question about whether he thinks fans would be shocked by "Enigines of Creation", as quoted in Guitar World (May 2000).

“When you think about where guitar playing is going today…: it's going everywhere at the same time.”

Joe Satriani

As quoted in "Shred on Arrival" in Guitar World (November 1993).

“I assume most guitar players are like me. They're playing, having fun; then they get a magazine in the mail that says "Shred Is Dead" and they say, "What the Hell?"”

Joe Satriani

They throw it away and keep on playing.
As quoted in "Shred on Arrival" in Guitar World (November 1993).

“I'll tell you one thing: I will always play the sh** out of my guitar.”

Joe Satriani

As quoted in "Shred on Arrival" in Guitar World (November 1993).

“I'm ready to take the heat.”

Joe Satriani

On the decision to sing vocals himself for Flying In A Blue Dream , as quoted in Guitar Magazine (March 1990).

“Mozart was a freaky kind of shredder.”

Joe Satriani

As quoted in "Shred on Arrival" in Guitar World (November 1993).

“I think it's quite painfully obvious when someone's practicing through an amp, as opposed to someone who's really laying down some stuff that just happens to be fast.”

Joe Satriani

As quoted in "Shred on Arrival" by Alan di Perna in Guitar World (November 1993) http://web.archive.org/20090804154917/www.geocities.com/SunsetStrip/Vine/1829/gw-november1993.htm.

“Sounds cool. Looks cool. Feels cool.”

Joe Satriani

On what he likes most about the guitar, as quoted by Metal Edge (April 1994).

“It really sucks when music is so perfect you just don't need to hear it anymore.”

Joe Satriani

Discussing his intentionally-out-of-tune intro to "Back To Shalla Bal" and contrasting it to the "perfectness" of Abba's vocals.
As quoted in Guitar Player (November 1989).

“When I want to play music, you've got to get me on tape or else it goes.”

Joe Satriani

As quoted in Guitar 2001 magazine, Issue #10, (Summer 2001).

“When you hear something you don't like, don't ever play it again.”

Joe Satriani

As quoted in Joe Satriani : Riff By Riff (1994) by Rich Maloof

“Satriani's Law: There's at least a 30% chance that someone will print the name Satriani incorrectly”

Joe Satriani

As quoted in Luminous Flesh Giants Tour Itinerary booklet (1995).

“Relax. Be yourself. Play a lot.”

Joe Satriani

Advice for other musicians, as quoted by Metal Edge (April 1994).

“There's a fine line between giving the sense of freedom and being too free.”

Joe Satriani

Discussing how he always works out parts that use pitch axis theory, as quoted in Guitar Magazine (November 1996).

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