Anaïs Nin citáty

Anaïs Nin foto
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Anaïs Nin

Dátum narodenia: 21. február 1903
Dátum úmrtia: 14. január 1977
Ďalšie mená:Anais Ninová

Reklama

Anaïs Ninová, celým menom Angela Anaïs Juana Antolina Rosa Edelmira Nin y Culmell bola americká spisovateľka dánsko-kubánskeho pôvodu. Pravidelne publikovala intímne denníky, ktoré sa objavovali viacero desaťročí v tlači. Poskytovali pohľad do hĺbok osobného života a vzťahov ženy. Necenzurovaná verzia týchto denníkov bola uverejnená až po jej smrti a smrti jej manžela. Je tiež jednou z prvých žien, ktoré písali erotickú literatúru.

Citáty Anaïs Nin

Reklama

„We don't see things as they are, we see things as we are.“

— Anaïs Nin
The Seduction of the Minotaur (1961); the documentation of the conflicting citations available on this page ([http://h-net.msu.edu/cgi-bin/logbrowse.pl?trx=vx&list=H-Judaic&month=1108&msg=RizwZWCgeA8woVU9mNOEYQ HNet]) seems very thorough, and in the end attributes the quote to this novel, which includes the line:

Reklama

„We write to taste life twice, in the moment and in retrospect.“

— Anaïs Nin
Context: We write to taste life twice, in the moment, and in retrospection. We write, like Proust, to render all of it eternal, and to persuade ourselves that it is eternal. We write to be able to transcend our life, to reach beyond it. Context: The artist is the only one who knows that the world is a subjective creation, that there is a choice to be made, a selection of elements. It is a materialization, an incarnation of his inner world. Then he hopes to attract others into it. He hopes to impose his particular vision and share it with others. And when the second stage is not reached, the brave artist continues nevertheless. The few moments of communion with the world are worth the pain, for it is a world for others, an inheritance for others, a gift to others, in the end. When you make a world tolerable for yourself, you make a world tolerable for others. We also write to heighten our own awareness of life. We write to lure and enchant and console others. We write to serenade our lovers. We write to taste life twice, in the moment, and in retrospection. We write, like Proust, to render all of it eternal, and to persuade ourselves that it is eternal. We write to be able to transcend our life, to reach beyond it. We write to teach ourselves to speak with others, to record the journey into the labyrinth. We write to expand our world when we feel strangled, or constricted, or lonely. We write as the birds sing, as the primitives dance their rituals. If you do not breathe through writing, if you do not cry out in writing, or sing in writing, then don't write, because our culture has no use for it. When I don't write, I feel my world shrinking. I feel I am in a prison. I feel I lose my fire and my color. It should be a necessity, as the sea needs to heave, and I call it breathing. February 1954 The Diary of Anaïs Nin, Vol. 5 as quoted in Woman as Writer (1978) by Jeannette L. Webber and Joan Grumman, p. 38

„The day came when the risk to remain tight in a bud was more painful than the risk it took to blossom.“

— Anaïs Nin
Frequently attributed to Nin, but without cited source in her work (possibly due to a quotation in Living on Purpose: Straight Answers to Universal Questions (2000) by Dan Millman that attributed the quote to Nin without source). In March 2013, a former Director of Public Relations at John F. Kennedy University in Orinda, Elizabeth Appell, claimed she had authored the quote in 1979 for an inspirational header on a class schedule: http://anaisninblog.skybluepress.com/2013/03/who-wrote-risk-is-the-mystery-solved/

„Life shrinks or expands according to one's courage.“

— Anaïs Nin
As quoted in French Writers of the Past (2000) by Carol A. Dingle, p. 126

Reklama

„Reality doesn't impress me. I only believe in intoxication, in ecstasy, and when ordinary life shackles me, I escape, one way or another. No more walls.“

— Anaïs Nin, Incest: From a Journal of Love
Context: I am an excitable person who only understands life lyrically, musically, in whom feelings are much stronger than reason. I am so thirsty for the marvelous that only the marvelous has power over me. Anything I can not transform into something marvelous, I let go. Reality doesn't impress me. I only believe in intoxication, in ecstasy, and when ordinary life shackles me, I escape, one way or another. No more walls. July 7, 1934

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