Tristan Tzara najznámejšie citáty
Tristan Tzara: Citáty v angličtine
1910s, Dada Manifesto', 1918
Kontext: Dada; knowledge of all the means rejected up until now... Dada; abolition of logic, which is the dance of those impotent to create: Dada; of every social hierarchy and equation set up for the sake of values by our valets: Dada; every object, all objects, sentiments, obscurities, apparitions and the precise clash of parallel lines are weapons for the fight: Dada; abolition of memory: Dada; abolition of archaeology: Dada; abolition of prophets: Dada; abolition of the future: Dada; absolute and unquestionable faith in every god that is the immediate product of spontaneity:* Dada; elegant and unprejudiced leap from a harmony to the other sphere... Freedom: Dada Dada Dada, a roaring of tense colors, and interlacing of opposites and of all contradictions, grotesques, inconsistencies: LIFE.
1920s, Lecture on Dada', 1922
1910s, Dada Manifesto', 1918
As quoted in The Dada Almanac: Berlin 1920, (1983) ed. Richard Huelsenbeck, transl. Malcolm Green, p.127
1920s
1920s, Lecture on Dada', 1922
1920s, Lecture on Dada', 1922
1910s, Dada Manifesto', 1918
1920s
Zdroj: 'Dada Manifesto On Feeble Love And Bitter Love', Intro of part II, by Tristan Tzara, 12th December 1920
As quoted in Dada Art and Anti-art, Hand Richter, Thames & Hudson, London & New York, 2004
Tzara's reaction when in 1921 w:Picabia, Man Ray and Marcel Duchamp jokingly asked to grant them permission to use the name 'Dada' as their own name for Dada in New York.
1920s
1920s, Lecture on Dada', 1922
1920s, Lecture on Dada', 1922
Quote of Tzara's poem from 1920; as cited in Cambridge Introduction to Modernism, ed. Pericles Lewis (Cambridge UP, 2007), p. 107 - online: https://modernism.research.yale.edu/wiki/index.php/To_Make_a_Dadaist_Poem
1920s
1910s, Dada Manifesto', 1918
1920s, Lecture on Dada', 1922
1910s, Dada Manifesto', 1918
1920s, Lecture on Dada', 1922
1910s, Dada Manifesto', 1918