Georgia O'Keeffová citáty

Georgia O'Keeffová, angl. Georgia O'Keeffe bola americká maliarka.

Známa je svojimi obrazmi zväčšených kvetín, zvieracích lebiek a krajiny. Vypracovala maliarsky štýl, ktorý len zriedkakedy prekračuje hranice k abstrakcii. V jej maľbách prevláda plošnosť a maliarska precíznosť.[chýba zdroj] Wikipedia  

✵ 15. november 1887 – 6. marec 1986
Georgia O'Keeffová fotka
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Georgia O'Keeffová: Citáty v angličtine

“Nobody sees a flower - really - it is so small it takes time - we haven't time - and to see takes time, like to have a friend takes time.”

O'Keeffe's contribution (1939) to the exhibition catalogue of the show An American place (1944)
1930 - 1950
Zdroj: Georgia O'Keeffe
Kontext: A flower is relatively small. Everyone has many associations with a flower - the idea of flowers. You put out your hand to touch the flower — lean forward to smell it — maybe touch it with your lips almost without thinking — or give it to someone to please them. Still — in a way — nobody sees a flower — really — it is so small — we haven't time — and to see takes time, like to have a friend takes time... So I said to myself — I'll paint what I see — what the flower is to me but I'll paint it big and they will be surprised into taking time to look at it — I will make even busy New-Yorkers take time to see what I see of flowers... Well — I made you take time to look at what I saw and when you took time to really notice my flower, you hung all your own associations with flowers on my flower and you write about my flower as if I think and see what you think and see of the flower — and I don't.

“The abstraction is often the most definite form for the intangible thing in myself that I can only clarify in paint. …  I found I could say things with color and shapes that I couldn't say any other way — things I had no words for.”

1970 - 1986, Some Memories of Drawings (1976)
Kontext: It is surprising to me to see how many people separate the objective from the abstract. Objective painting is not good painting unless it is good in the abstract sense. A hill or tree cannot make a good painting just because it is a hill or a tree. It is lines and colours put together so that they say something. For me that is the very basis of painting. The abstraction is often the most definite form for the intangible thing in myself that I can only clarify in paint. …  I found I could say things with color and shapes that I couldn't say any other way — things I had no words for.<!-- Also quoted in Georgia O’Keeffe: Nature and Abstraction (2007), edited by Richard Marshall, p. 13

“To create one's own world takes courage.”

Varianta: To create one's world in any of the arts takes courage.

“I do not like the idea of happiness — it is too momentary — I would say that I was always busy and interested in something — interest has more meaning to me than the idea of happiness.”

In notes to Anita Pollitzer, Abiquiu, New Mexico, (after February, 1968); as quoted in The Complete Correspondence of Georgia O’Keeffe & Anita Pollitzer, ed. Clive Giboire, Touchstone Books, Simon & Schuster Inc., New York, 1990, p. 324
1960s

“I hate flowers — I paint them because they're cheaper than models and they don't move!”

quote in Portrait of an Artist: A Biography of Georgia O'Keeffe, Laurie Lisle, Viking Press, New York, 1981, p. 180
1980s

“Whether you succeed or not is irrelevant, there is no such thing. Making your unknown known is the important thing--and keeping the unknown always beyond you.”

Quote in a letter to Sherwood Anderson, October 1923; as quoted in Georgia O'Keeffe: A Life, Roxana Robinson, University Press of New England, 1999
1917 - 1929
Kontext: I have been thinking of what you say about form... I feel that a real living form is the natural result of the individual’s effort to create the living thing out of the adventure of his spirit into the unknown.... and from that experience comes the desire to make the unknown known. By unknown I mean the thing that means so much to the person that he want to put it down - clarify something he feels but does not clearly understand... Making the unknown known.... if you stop to think of form as form you are lost.

“Artists and religionists are never far apart, they go to the sources of revelation for what they choose to experience and what they report is the degree of their experiences. Intellect wishes to arrange — intuition wishes to accept.”

A Second Outline in Portraiture (1936), as quoted in Marsden Hartley, Gail R. Scott - Abbeville Publishers, Cross River Press, 1988, New York, p. 167
1930s

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