Vasilij Kandinskij citáty
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Vasilij Vasiljevič Kandinskij alebo Wassily Kandinsky bol ruský maliar, grafik a teoretik umenia, ktorý neskôr žil a pracoval v Nemecku a vo Francúzsku. Spolu s Františkom Kupkom, Kazimirom Malevičom, Mikolajusom Čiurlionisom a Pietom Mondrianom patrí k priekopníkom abstraktného maliarstva. Wikipedia  

✵ 4. december 1866 – 13. december 1944   •   Ďalšie mená Василий Кандинский
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Vasilij Kandinskij: Citáty v angličtine

“I am working again on my painting 'Moscow' ['Moscow I' ('Mockba I'), 1916]. It is slowly taking shape in my imagination. And what was in the realm of wishing is now assuming real forms. What I have been lacking with this idea was depth and richness of sound, very earnest, complex, and easy at the same time.”

Quote in his letter to Gabriele Münter, September 4, 1916; as cited in Hans K. Rothel and Jean K. Benjamin, Kandinsky: Catalogue Raisonné of the Oil Paintings, Volume Two, 1916–1944; Cornell University Press, Ithaca, N.Y, 1984, p. 580
1916 -1920

“Kandinsky, Wassily – painter, printmaker and author – the first painter to base painting on purely pictorial means of expression and abandon objects in his pictures.”

Quote of Wassily Kandinsky, 1919 - his self-characterisation in 'Das Kunstblatt', 1919; as cited in 'Klee & Kandinsky', 2015 exhibition text, Lenbachhaus und Kunstbau Munich, 2015-2016 https://www.zpk.org/en/exhibitions/review_0/2015/klee-kandinsky-969.html
1916 -1920

“Of the 16 years that I have been living in Germany, I have given myself entirely to the German art world. How am I now suddenly supposed to feel myself a foreigner?”

Quote in his letter to Herwarth Walden [of 'der Sturm'], August 2, 1914; as cited by lrike Becks-Malorny, in Wassily Kandinsky, 1866–1944: The Journey to Abstraction [Cologne: Taschen, 1999], p. 115
because of the outbreak of World War 1. Kandinsky had to leave Germany because of his Russian nationality
1910 - 1915

“It is never literally true that any form is meaningless and "says nothing." Every form in the world says something. But its message often fails to reach us, and even if it does, full understanding is often withheld from us. ] and, properly speaking, FORM IS THE OUTWARD EXPRESSION OF THIS INNER MEANING.”

Part II. About painting : VI. The language of Form and Colour : Footnote
Similar quote in another translation:
There is no form, there is nothing in the world which says nothing. Often - it is true - the message does not reach our soul, either because it has no meaning in and for itself, or - as is more likely – because it has not been conveyed to the right place.. .Every serious work rings inwardly, like the calm and dignified words: 'Here I am!'
Partly cited in: Raymond Firth (2011) Symbols: Public and Private, p. 43
1910 - 1915, Concerning the Spiritual in Art, 1911

“Frankly, I think there is something wrong with Jawlensky's dots [in his paintings, then]. Anybody can pick up that style if they want to.”

Quote of Kandinsky, c 1903; as cited by de:Wolf-Dieter Dube, in Expressionism; Praeger Publishers, New York, 1973, p. 114
1910 - 1915

“The geometric point is an invisible thing. Therefore, it must be defined as an incorporeal thing. Considered in terms of substance, it equals zero... Thus we look upon the geometric point as the ultimate and most singular union of silence and speech.”

The geometric point has, therefore, been given its material form, in the first instance, in writing. It belongs to language and signifies silence.
1920 - 1930, Point and line to plane, 1926