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“I'm tired of the movies and I am about to move!”
Tom, Scene Six
The Glass Menagerie (1944)
Kontext: Yes, movies! Look at them — All of those glamorous people — having adventures — hogging it all, gobbling the whole thing up! You know what happens? People go to the movies instead of moving! Hollywood characters are supposed to have all the adventures for everybody in America, while everybody in America sits in a dark room and watches them have them! Yes, until there's a war. That's when adventure becomes available to the masses! Everyone's dish, not only Gable's! Then the people in the dark room come out of the dark room to have some adventures themselves — Goody, goody! — It's our turn now, to go to the south Sea Island — to make a safari — to be exotic, far-off! — But I'm not patient. I don't want to wait till then. I'm tired of the movies and I am about to move!
“Revolution only needs good dreamers who remember their dreams.”
Camino Real (1953)
Kontext: You said, "They're harmless dreamers and they're loved by the people." — "What," I asked you, "is harmless about a dreamer, and what," I asked you, "is harmless about the love of the people? — Revolution only needs good dreamers who remember their dreams."
“I think that moral earnestness is a good thing for any times, but particularly for these times.”
Program notes for a Pasadena Playhouse production of Stairs to the Roof (1947)
Kontext: When I look back at Stairs to the Roof... I see its faults very plainly, as plainly as you may see them, but still I do not feel apologetic about this play. Unskilled and awkward as I was at this initial period of my playwriting, I certainly had a moral earnestness which I cannot boast of today, and I think that moral earnestness is a good thing for any times, but particularly for these times. I wish I still had the idealistic passion of Benjamin Murphy! You may smile as I do at the sometimes sophomoric aspect of his excitement, but I hope you will respect, as I do, the purity of his feeling and the honest concern which he had in his heart for the basic problem of mankind, which is to dignify our lives with a certain freedom.
“Why you're not crippled, you just have a little defect — hardly noticeable, even!”
Amanda, Scene Two
The Glass Menagerie (1944)
Kontext: Why you're not crippled, you just have a little defect — hardly noticeable, even! When people have some slight disadvantage like that, they cultivate other things to make up for it — develop charm — and vivacity — and — charm!
“Make voyages. Attempt them. There's nothing else.”
Zdroj: Camino Real
Tom, as Narrator, in Scene One
Zdroj: The Glass Menagerie (1944)
“Deliberate cruelty is unforgivable.
--Blanche Dubois”
Zdroj: Tennessee Williams's A Streetcar Named Desire
“I don't want realism. I want magic!”
Zdroj: A Streetcar Named Desire
Varianta: Memory takes a lot of poetic licence. It omits some details; others are exaggerated, according to the emotional value of the articles it touches, for memory is seated predominantly in the heart. The interior is therefore rather dim and poetic.
Zdroj: The Glass Menagerie
“Oh, you can't describe someone you're in love with!”
Zdroj: A Streetcar Named Desire
“I'm not living with you. We occupy the same cage. (Maggie)”
Zdroj: Cat on a Hot Tin Roof
“Go, then! Go to the moon-you selfish dreamer!”
Zdroj: The Glass Menagerie
“And funerals are pretty compared to deaths.”
Zdroj: A Streetcar Named Desire
“Well, honey, a shot never does a coke any harm!”
Zdroj: A Streetcar Named Desire
“I can't stand a naked light bulb, any more than I can a rude remark or a vulgar action.”
Zdroj: A Streetcar Named Desire
