Robert Fulghum: Citáty v angličtine (page 2)

It Was on Fire When I Lay Down on It (1988)
Kontext: The grass is not, in fact, always greener on the other side of the fence. No, not at all. Fences have nothing to do with it. The grass is greenest where it is watered. When crossing over fences, carry water with you and tend the grass wherever you may be.

"The Lightness Of Being" (25 April 2007) Pack Creek Ranch, San Juan County, Utah http://robertfulghum.com/index.php/fulghumweb/entry/377_the_lightness_of_being/
Web Journal
Kontext: The four of us are talking dancing, and laughing, and recalling the joys of being out on the floor and having that timeless feeling that comes from being caught up in the music. "Nobody should miss that," says Dave.
On the face of it, Dave's family and I don't have a lot in common. They're Mormons and Republicans. I'm a Unitarian and a Democrat. When Dave was on the County Council, we were on different sides of some important issues. I grew up a Southern Baptist in Texas where dancing was a mortal sin in the eyes of Almighty God, but coffee was OK. Dave grew up a Latter Day Saint where dancing was considered righteous – but not coffee.
But... we're dancers. And laughers. That's a strong bond right there. And we're committed to being useful in our world. And if you love something, like dancing, and you pass it on, like Dave and his wife do, you've been very useful by my standards. Dancing is a lifetime, equal opportunity sport.
And I will never drive by Dave's garage again without having the finest feelings for the man and his wife and mother who are inside taking good care of their corner of this world. They've added an important dimension to the lives of the young people of their town — that lightness of being that belongs to dancers.

Uh-Oh: Some Observations from Both Sides of the Refrigerator Door (2001), p. 146
Kontext: One of life's best coping mechanisms is to know the difference between an inconvenience and a problem. If you break your neck, if you have nothing to eat, if your house is on fire, then you've got a problem. Everything else is an inconvenience. Life is inconvenient. Life is lumpy. A lump in the oatmeal, a lump in the throat and a lump in the breast are not the same kind of lump. One needs to learn the difference.

Introduction to the Art gallery at his website (2006) http://robertfulghum.com/index.php/fulghumweb/artshowentry/introduction2/
Kontext: I don't do art to address other people but to address myself. I've never done art with a thought of being a professional artist who makes a living by selling his art. I've never had a commercial show in a gallery. I suppose I'm like those who write poetry or songs without seeking publication. I make art in and for the experience itself — to satisfy a need to express myself in a creative, colorful, non-verbal way.

Words I Wish I Wrote (1997)
Kontext: My convictions have validity for me because I have experimented with the compounds of ideas of others in the laboratory of my mind. And I've tested the results in the living out of my life. At twenty-one, I had drawn an abstract map based on the evidence of others. At sixty, I have accumulated a practical guide grounded in my own experience. At twenty-one, I could discuss transportation theory with authority. At sixty, I know which bus to catch to go where, what the fare is, and how to get back home again. It is not my bus, but I know how to use it.

"Alice-Alice" in Third Wish (2006)
Kontext: Love the battle between chaos and imagination.
Remember: Acting is living truthfully in imaginary circumstances.
Remember: Acting is the way to live the greatest number of lives.
Remember: Acting is the same as real life, lived intentionally.
Never forget: The Fruit is out on the end of the limb. Go there.

Introduction to the Art gallery at his website (2006) http://robertfulghum.com/index.php/fulghumweb/artshowentry/introduction2/
Kontext: I don't do art to address other people but to address myself. I've never done art with a thought of being a professional artist who makes a living by selling his art. I've never had a commercial show in a gallery. I suppose I'm like those who write poetry or songs without seeking publication. I make art in and for the experience itself — to satisfy a need to express myself in a creative, colorful, non-verbal way.

"The Lightness Of Being" (25 April 2007) Pack Creek Ranch, San Juan County, Utah http://robertfulghum.com/index.php/fulghumweb/entry/377_the_lightness_of_being/
Web Journal
Kontext: The four of us are talking dancing, and laughing, and recalling the joys of being out on the floor and having that timeless feeling that comes from being caught up in the music. "Nobody should miss that," says Dave.
On the face of it, Dave's family and I don't have a lot in common. They're Mormons and Republicans. I'm a Unitarian and a Democrat. When Dave was on the County Council, we were on different sides of some important issues. I grew up a Southern Baptist in Texas where dancing was a mortal sin in the eyes of Almighty God, but coffee was OK. Dave grew up a Latter Day Saint where dancing was considered righteous – but not coffee.
But... we're dancers. And laughers. That's a strong bond right there. And we're committed to being useful in our world. And if you love something, like dancing, and you pass it on, like Dave and his wife do, you've been very useful by my standards. Dancing is a lifetime, equal opportunity sport.
And I will never drive by Dave's garage again without having the finest feelings for the man and his wife and mother who are inside taking good care of their corner of this world. They've added an important dimension to the lives of the young people of their town — that lightness of being that belongs to dancers.

"The Lightness Of Being" (25 April 2007) Pack Creek Ranch, San Juan County, Utah http://robertfulghum.com/index.php/fulghumweb/entry/377_the_lightness_of_being/
Web Journal
Kontext: The four of us are talking dancing, and laughing, and recalling the joys of being out on the floor and having that timeless feeling that comes from being caught up in the music. "Nobody should miss that," says Dave.
On the face of it, Dave's family and I don't have a lot in common. They're Mormons and Republicans. I'm a Unitarian and a Democrat. When Dave was on the County Council, we were on different sides of some important issues. I grew up a Southern Baptist in Texas where dancing was a mortal sin in the eyes of Almighty God, but coffee was OK. Dave grew up a Latter Day Saint where dancing was considered righteous – but not coffee.
But... we're dancers. And laughers. That's a strong bond right there. And we're committed to being useful in our world. And if you love something, like dancing, and you pass it on, like Dave and his wife do, you've been very useful by my standards. Dancing is a lifetime, equal opportunity sport.
And I will never drive by Dave's garage again without having the finest feelings for the man and his wife and mother who are inside taking good care of their corner of this world. They've added an important dimension to the lives of the young people of their town — that lightness of being that belongs to dancers.

Uh-Oh: Some Observations from Both Sides of the Refrigerator Door (2001), p. 146
Kontext: One of life's best coping mechanisms is to know the difference between an inconvenience and a problem. If you break your neck, if you have nothing to eat, if your house is on fire, then you've got a problem. Everything else is an inconvenience. Life is inconvenient. Life is lumpy. A lump in the oatmeal, a lump in the throat and a lump in the breast are not the same kind of lump. One needs to learn the difference.

Zdroj: All I Really Need to Know I Learned in Kindergarten

All I Really Need to Know I Learned in Kindergarten (1986)

Zdroj: All I Really Need to Know I Learned in Kindergarten: Uncommon Thoughts on Common Things

Zdroj: All I Really Need to Know I Learned in Kindergarten: Uncommon Thoughts on Common Things

All I Really Need to Know I Learned in Kindergarten (1986)

Zdroj: Maybe, Maybe Not

Zdroj: True Love

Zdroj: Maybe, Maybe Not