John Updike citáty
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John Hoyer Updike bol americký spisovateľ, držiteľ Pulitzerovej ceny.

Os jeho diela tvoria romány o "Králikovi", ktoré zachytávajú život strednej vrstvy na postave obyčajného človeka Harryho "Králika" Angstroma v priebehu niekoľkých desaťročí od ranej dospelosti až po jeho smrť. Za romány Rabbit Is Rich a Rabbit At Rest

dostal Pulitzerovu cenu. Updike patrí do trojice autorov , ktorí získali Pulitzerovu cenu za beletriu viac ako raz. Vydal vyše dvadsať románov a viac ako desať zbierok poviedok, okrem toho poéziu, recenzie výtvarného umenia, literárne kritiku a knižky pre deti. Stovky jeho poviedok, recenzií a básní vychádzali od roku 1954 v časopise New Yorker. Písal tiež pravidelne pre New York Review of Books.

"Americké malomesto a protestantská stredná vrstva", tak Updike popisoval svoje základné tému. Bol uznávaný predovšetkým pre autorskú precíznosť, jedinečný prozaický štýl a pre svoje tvorivé nasadenie. Písal priemerne jednu knihu ročne. V jeho príbehoch sa bežne vyskytujú postavy, ktoré často prežívajú hlboký zmätok a ich vnútorné krízy majú pôvod v náboženstve, rodinných záväzkoch a v manželskej nevere. Jeho romány a poviedky si získavajú čitateľa svojim zameraním na záujmy, vášne a utrpenie priemerných Američanov, dôrazom na kresťanskú teológiu, sexualitu a zmyslové zážitky. Jeho dielo vyvolalo značnú pozornosť a chválu kritiky a Updike je prevažne považovaný za jedného z najväčších amerických spisovateľov svojej doby. Jeho vysoko prepracovaný prozaický štýl je postavený na bohatom, neotrelom, niekedy až obskúrnom výraze sprostredkovanom ľahko ironickým, inteligentným autorským hlasom, ktorý fyzický svet opisuje extravagantne, ale napriek tomu zostáva pevne usadený v realistickej tradícii. Svoj štýl opisuje ako snahu "dať pozemskosti krásu, ktorá jej patrí"." Wikipedia  

✵ 18. marec 1932 – 27. január 2009   •   Ďalšie mená John Hoyer Updike, Con Apdayk
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John Updike najznámejšie citáty

John Updike: Citáty v angličtine

“He skates saucily over great tracts of confessed ignorance.”

On T S Matthews, and his biography of T. S. Eliot, Great Tom (1974), in The New Yorker (25 March 1985)

“[Harry listening to car radio] …he resents being made to realise, this late, that the songs of his life were as moronic as the rock the brainless kids now feed on, or the Sixties and Seventies stuff that Nelson gobbled up – all of it designed for empty heads and overheated hormones, an ocean white with foam, and listening to it now is like trying to eat a double banana split the way he used to. It's all disposable, cooked up to turn a quick profit. They lead us down the garden path, the music manufacturers, then turn around and lead the next generation down with a slightly different flavour of glop.
Rabbit feels betrayed. He was reared in a world where war was not strange but change was: the world stood still so you could grow up in it. He knows when the bottom fell out. When they closed down Kroll's, Kroll's that had stood in the centre of Brewer all those years, bigger than a church, older than a courthouse, right at the head of Weiser Square there,… […] So when the system just upped one summer and decided to close Kroll's down, just because shoppers had stopped coming in because the downtown had become frightening to white people, Rabbit realised the world was not solid and benign, it was a shabby set of temporary arrangements rigged up for the time being, all for the sake of money. You just passed through, and they milked you for what you were worth, mostly when you were young and gullible. If Kroll's could go, the courthouse could go, the banks could go. When the money stopped, they could close down God himself.”

John Updike kniha Rabbit at Rest

Rabbit at Rest (1990)

“I secretly understood: the primitive appeal of the hearth. Television is — its irresistible charm — a fire.”

On a child doing homework near the family’s television set, in Roger’s Version (1986)

“His voice is hurrying, to keep up with his brain.”

John Updike kniha Rabbit Remembered

Rabbit Remembered (2000)

“The refusal to rest content, the willingness to risk excess on behalf of one's obsessions, is what distinguishes artists from entertainers, and what makes some artists adventurers on behalf of us all.”

On J. D. Salinger, from a review of his Franny and Zooey, in Studies in J. D. Salinger : Reviews, Essays, and Critiques of The Catcher in the Rye and other Fiction (1963) edited by Marvin Laser and Norman Fruman, p. 231; also quoted in The Christian Science Monitor (August 26, 1965) and Updike's Assorted Prose (1965).

“…"That disease he has does an awful job on you. Your lungs fill up."”

John Updike kniha Rabbit at Rest

Rabbit at Rest (1990)

“Being naked approaches being revolutionary; going barefoot is mere populism.”

“Going Barefoot,” On the Vineyard (1980)

“The smell of good advice always makes Rabbit want to run the other way.”

John Updike kniha Rabbit at Rest

Rabbit at Rest (1990)

“Like water, blood must run or grow scum.”

John Updike kniha Rabbit Redux

Rabbit Redux (1969)

“There's a crystallization that goes on in a poem which the young man can bring off, but which the middle-aged man can't.”

As quoted in “When Writers Turn to Brave New Forms” by Michiko Kakutani in The New York Times (24 March 1986)

“Like Ronnie said, we're alone. All we have is family, for what it's worth.”

John Updike kniha Rabbit Remembered

Rabbit Remembered (2000)

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