Charles-François Daubigny citáty

Charles-François Daubigny [vyslov: šarl frásua dobiňi] bol francúzsky maliar a grafik, príslušník Barbizonskej školy. Wikipedia  

✵ 15. február 1817 – 19. február 1878
Charles-François Daubigny fotka
Charles-François Daubigny: 6   citátov 0   Páči sa

Charles-François Daubigny: Citáty v angličtine

“Adieu, adieu, I am going to see up there [after death] whether friend Corot has found me any new subjects for landscape painting.”

Quote, as recorded by Albert Wolff, 1880's, in Notes upon certain masters of the XIX century, - printed not published MDCCCLXXXVI (1886), The Art Age Press, 400 N.Y. (written after the exhibition 'Cent Chefs-d'Oeuvres: the Choice of the French Private Galleries', Petit, Paris / Baschet, New York, 1883, p. 74
Daubigny's final thought for art in 1878 was appearently strongly connected with Corot.
1860s - 1870s

“[I] preferred paintings full of daring to the nullities welcomed into every Salon.”

Quote c. 1865; as cited in Corot', Gary Tinterow, Michael Pantazzi, Vincent Pomarède - Galeries nationales du Grand Palais (France), National Gallery of Canada, Metropolitan Museum of Art (New York, N.Y.), 1996, p. 272 – quote 65
Daubigny's work was frequently refused by the jury of the Salon; after c. 1865 he participated in the jury himself, often together with Corot.
1860s - 1870s

“Speak to me no more of the old masters. Not one of them can stand up to this sturdy fellow”

=Courbet
Quote c. 1860, in Corot', Gary Tinterow, Michael Pantazzi, Vincent Pomarède - Galeries nationales du Grand Palais (France), National Gallery of Canada, Metropolitan Museum of Art (New York, N.Y.), 1996, p. 272 – quote 65
1840s - 1850s

“My travelling companion [= Corot] has just abandoned me. He's a perfect Father Joy, this Father Corot. He is altogether a wonderful man, who mixes jokes in with his very good advice.”

Quote about Corot, in his letter of 1852; as cited in Corot, Gary Tinterow, Michael Pantazzi, Vincent Pomarède - Galeries nationales du Grand Palais (France), National Gallery of Canada, Metropolitan Museum of Art (New York, N.Y.), 1996, p.271 – note 62
Corot's relationship with Daubigny was by far his most important friendship with another artist, during the 1860-70's
1840s - 1850s

“I have bought at Auverse thirty perches of land, all covered with beans, on which I shall plant some legs of mutton when you come to see me. They are building me a studio there, some eight by six meters, with several rooms around it, which will serve me, I hope, next Spring [of 1861]. Father Corot has found Auvers very fine, and has engaged me to fix myself there for a part of the year, wishing to make rustic landscapes with figures. I shall be truly well of there, in the midst of a good farming country, where the ploughs do not yet go by steam.”

Quote in his letter to his friend Frédéric Henriet, https://commons.wikimedia.org/w/index.php?search=Fr%C3%A9d%C3%A9ric+Henriet&title=Special:Search&go=Go&searchToken=dt4h140y68u3oxynlcr55rftr#/media/File:Eaux-fortes._(Frontispiece)_(NYPL_b12616975-1690388).jpg, 1860; as cited in 'Charles-francois Daubigny', by Robert J. Wichenden, in The Century Illustrated Montly Magazine, Vol. XLIV, July 1892, p. 335
Daubigny bought property in Auvers-sur-Oise in 1860; four years later Corot would decorate there his Villa des Vallées, with beautiful murals.
1840s - 1850s